Retro design is particularly popular nowadays with many artists going back to the roots. Maurović’s poster from 1939 seems resistant to passage of time and from a marketing perspective still works great, even today.
Father of Croatian comics, Andrija Maurović, gave Jelica the form that we have been recognizing for generations back in 1931. This timeless design has become an icon that combines tradition with the contemporary.
During the Austro-Hungarian era, better part of promotional materials were in German. Although a product of local artists, aesthetics are recognizably Germanic.
Passion or hunger? A different outlook on Winter Salami.
Even in a sausage forest, one always has a favorite. Again, it is impossible to confuse Ilić with any other author.
Mirko Ilić’s distinctive style highlights dynamism and a playful interplay of motifs. Traditional folkloric elements receive a pop-art treatment, while the composition appears both lively and powerful. The work celebrates tradition through the language of contemporary visual culture.
The great master of mobile graphics turns optical elements into tactile ones. Jelica has also matured somewhat, along with Gavrilović’s experience in the meat industry. But just like our author here, our deviation from the main topic has been very subtle.
In the work Dimitrije Popović created for Gavrilović, the female figure with closed eyes transforms into a dynamic interplay of colors, floral motifs, and precise lines. The realistic portrait is combined with imaginative details that extend beyond the boundaries of the classical figure.